Audimated.com
Important Changes to Your Audimated Account
Oct 13th
INTERFACE UPDATE SCHEDULED FOR 11:45PM EST ON 10/13/2011
Many of you have noticed some bugs around the site lately and this interface update is our effort to resolve (squash) them. You can always join the fight or help us find something we missed by contacting us here.
Later tonight we will be rolling out significant changes to the Audimated interface which effect both artists and fans. You may notice some features missing and notice other features have been added or moved. We apologize for any inconvenience/confusion this may cause you, but we assure you we only make changes based on user activity data. We remove components that are not being used (or need to be improved) and add components which users have requested. This is an ongoing process to improve the experience for the most important part of the Audimated website: our artists and fans.
A short list of changes:
- Album uploading has been temporarily removed. Once this module has been improved (and integrated more closely with other features) we will bring it back for artists interested in uploading albums. For now, every upload is considered an individual song or a “single.” In a short time you will be able to group singles together into albums. This is a more efficient and logical approach to the creation of albums than we had previously. If you need to edit current albums please visit this link: http://www.audimated.com/home-store-album.php
- Featured Artists on the homepage are now displayed more equitably. This is mainly a back end improvement. If you would like more information on feature profiles please visit: http://www.audimated.com/services-featuredartist.php
- Home Page Alerts: Alerts on the homepage will now cycle automatically. If you would like to see your alerts show up on the homepage, simply update your profile frequently here: http://www.audimated.com/home.php
- Contact Importing Improved: Bring your friends/fans to Audimated and earn a dollar ($1) every time four (4) sign up. Simply visit your homepage and click on the blue box under “Your Friends” on the right hand side.
- YouTube Integration: Syncing your videos with Youtube has never been easier. Accounts with videos are shown higher in search results. http://www.audimated.com/edit-videos.php
- Featured Products: This has been removed. Profiles now show all products in your store.
- Sales Percentage has been removed in favor of simplicity. The commission percentage remains in tact. The amount you set as your commission percentage is the amount that you pay your fans when they bring you a sale. Confused? Watch the video on the homepage or contact us here.
- A new services tab for artists (fans wont be able to see this) found here. This is where you can add Audimated services to your Audimated account to help drive sales, views and traffic. We are working on some cool new icons for this space so pardon the design.
- A brand new social media music marketing service. A great way to get new music fans.
- A partnership with Tunecore to get your music on iTunes. There is not a better way to distribute your music digitally period. Tunecore is the industry leader and we offer their service at discounted prices for our artists as a result of our partnership.
- Some cool new icons throughout the site.
- Back end improvements to Radio, Charts and Browse. These pages all load faster and display more relevant results.
- And more.
A living breathing music network will always require updates, changes and maintenance. The changes launched tonight are the first of many to come over the next several months. Do not be afraid as change is a good sign. It means more fans, more artists, more music downloads and more exposure for independent music.
If you are reading this for the first time and not sure what all the hype is about, then create an account. If you are already on board, we would love to connect with you on both Facebook and Twitter so we can keep you in the loop.
Did we miss something? Have a feature or comment you would like to share? Post it below, email nick [at] audimated.com or contact us.
New Interface Update
Aug 5th
You may have noticed things looking a little differently around the Audimated website. We made some significant changes to the look and the functionality. There may be a few bugs but we are working diligently to get those fixed.
Due to over complexity and a confusing interface, we decided to remove several features from Audimated. They have only been removed temporarily. Once we get them perfected we will bring them back one by one.
For now, we are focused on the upload of new music to the site and the sharing of that music by our fans.
How Fans Influence Music
Dec 17th
How often do you tell your friends what music you are listening to? How often do you recommend a new song or burn a CD for a friend? Are you helping distribute the music that you listen to?
You might not realize it, but you likely are the most powerful sales force for the music you consume. Record labels spend millions of dollars to promote a band. Labels put their artists in the movies, buy radio time (yes, this still happens all the time even though “payola” is illegal), get endorsement deals, pay for positions in record stores just so that consumers can be reminded of a certain album or artist.
If labels spend so much money “forcing” these artists upon listeners why aren’t they always successful? This is because labels cannot buy recommendations from fans. No matter how much money is spent you can’t influence how consumers share information about a brand/product/service after they consume it. For music this means music fans hold the power in deciding which artists or songs really are successful. If fans like the music or the artist they share it with friends and if not they don’t.
Labels can easily sell a hundred thousand copies with marketing buzz alone in the first week, but this does not mean the artist is successful or makes money. Selling a million copies, supporting a large profitable tour and making money for the label ultimately requires fans to share the music and recommendations with their friends. This unique nature of music gives fans the control over its distribution.
What does this mean as a music fan? It means you should take advantage of the wide variety of music that is around you. Don’t simply settle on the music you are presented and expand your search beyond the radio. Listen to what your friends are saying about their new music because only they know who next favorite artist will be.
If you are a music fan and enjoy promoting independent artists watch this:
If you have a story you would like us to cover please contact Jared@audimated.com.
Audimated Interface Update
Dec 7th
Dear Users:
Over the weekend Audimated made some significant updates to the website. These updates have improved the following features:
- Logging in and out: Your account will now stay logged in until you decide to log off
- Shopping cart: Shopping cart functionality, commissions, adding/removing items, saving shopping cart data, checking out, receiving your downloads have all been improved.
- Uploading albums: we fixed a bug with certain browsers that prevented users from uploading albums
- Character problem with artist and song names: Several characters used on the site like apostrophes were not being displayed properly, but now this has been resolved.
- Adding tickets to events
These updates mostly consisted of backend functionality, but we will rolling out additional front end updates shortly.
If you experience any trouble with your account or notice something we should be aware of please contact support@audimated.com.
How Your Fans Help Sell Your Music
Sep 21st
Take a look at those closest to you and your music. I am not talking about your biggest fan on the internet or the twitter profile that retweets your posts. I am talking about the people who you have a real relationship with who also care about and support your music. If you had a show in your basement, who would come? Who are your biggest supporters? If you have a new song, who do you show it to before you upload the song to the Internet? The answer to all of these questions is likely your inner circle of friends and family. If you are in school, these are your classmates. If you also work a 9-5 then these are your coworkers. If you are a more advanced full time musician these people are likely already on your “street team.”
These groups are keys to your success and are likely already supporting and spreading your music. For the part time musician, this first circle of “contacts” is your first set of “satisfied customers.” Your music provided a service to this group and now this group is out there in the community as walking talking testimonials to the quality service your “music business” provided them. These testimonials and communications about your music are the roots and foundation in which you organically grow your fan base. Without a set of initial fans championing your cause and validating the quality of your music, you are left to “spam” potential fans or pay advertisers to deliver your message to relevant listeners.
What motivates your friends and family to become your first set of die hard, stick with you to the end fans? What turns them from passive listeners into the marketers and sales force for your music? Motivations can differ from person to person, but it is likely a combination of several factors which include: your consistent push of quality music, the desire to see/help you succeed, the desire to be part of something bigger than themselves and the value of being “the first to know” of a new music out of their friends.
What did you do to motivate these people or deserve their support? Basically nothing beyond what you are currently doing now: making great music. Your family, friends and fans (in that order) will care about and support your music as long as you keep consistently providing them with great new content. Stay focused on top notch excellent music content and your fans will inherently want to help spread the word.
What does this mean as an independent artist? Consider each new listener as a potential new customer to “satisfy” with your music. If you do your part as a “music business” (notice you are not a marketing business) and provide they will invariably do theirs as your marketers. In order to help your fans help you market your music we have outlined a few broad steps:
1. Focus on recording good songs with high production values
2. Get these songs online so that it can easily be shared
3. Get fans involved with your music and caring about your success
4. Reward them for being a fan
If you would like to learn more about how Audimated can help you turn your fans into your sales force watch this:
If you have a story you would like to see us cover please contact Jared@audimated.com.
Why It is Important that We All Pay for Music
Sep 5th
All the litigation around intellectual property rights as they apply to music on the Internet is important to track. But, more important than any threat of legal action against illegal downloaders or CD distributors is the fact that music is created by musicians, artists who are trying to make a living just like you and me. Paying for music produced by others should not be motivated by fear but by a sense of fair play. Just like any other profession or service rendered, a musician is providing you, the listener, with a product that you use and enjoy.
Plato said, “Music gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything.” Think about the important role that music plays in your life. Think about the many positive benefits you get from listening to and creating music for yourself and others.
Now think about the struggling musician trying to get his or her sound out there. Often working for “free” for the elusive goal of “getting exposure,” the musician needs all the income he or she can get from the sale of music that has taken hours to create, record and produce.
As a musician, you need to get up to speed about copyright law – try and protect yourself as much as possible. But, don’t be naïve, either, and think that copyright laws are necessarily clear and “theft proof.” Read Brad Templeton’s 10 Big Myths About Copyright Explained, for example, so that you have a basic understanding about what is, and isn’t, permitted in creating music and how to protect your work.
And, for musicians who want more, you can get a more detailed overview of actual federal copyright statutes by visiting the law collection at Cornell University’s Legal Information Institute. This overview is from Cornell University’s more comprehensive collection of 17 U.S.C. Sections 101 – 810 (U.S. Copyright Act).
In the meantime, all of you music lovers need to do the right thing. Pay for the music you want to listen to. Paying ten bucks for an album you will listen to for a thousand hours is a pretty good deal.
Deborah@Audimated.com
Audimated.com: Cutting Through the Noise Online
Sep 5th
I don’t know about you, but I think we all find the sheer volume of information – and music – available on the Internet mind boggling. Some of it is good, but unfortunately the majority of it is bad. This is a catch 22 for up and coming artists. On one hand you have they playing field leveled so that you can compete online against the major label acts (with millions being spent on marketing), but on the other hand you now have millions of other artists (just like you) all struggling to reach a limited number of fans online. Because of these pressures, a good online strategy is now a requirement for any musician who hopes to make a career out of their craft.
A favorite book of mine that helps sort out what is happening to those of us on “information overload” in the Internet Age is Steve Johnson’s book, Interface Culture. The author writes about the role of social networking media in the dissemination of knowledge both pre and post Google. I recommend this read to anyone looking to learn more about how people use and share information online.
Currently there are over thirteen million active artist accounts on MySpace (US only) and in 2009 $3.4 billion dollars (that is a ton of money!) were spent on independent music in the United States alone. The numbers do not take into account the underground or unregistered transactions that occur in the music industry nor the countless other artists around the world who are not on MySpace. In addition, as the price of home recording equipment continues to decline, the number of people creating and marketing music will continue to increase. This creates an ever-expanding supply of new artists, each of which will need increasingly more marketing to be heard.
As a result of these market pressures, independent artists are now spending more time on social networks, email accounts and giving their songs away for free than they are creating their music. On the other side, the music consumer is facing thousands of websites and millions of songs to choose from and is spending their time browsing more text, email and free streams with no way of filtering out the content they are interested in. These fans want a personal connection with the artist, but are instead subject to banner ads, pop ups and viruses associated with the consumption of music. Both the independent artist and fans are wasting their time, energy and money on everything but the music. This is becoming an increasingly large problem…
There are thousands of social networks and platforms online, but how do you choose the right one? Should you go with a larger more broad network like Facebook, Myspace or Twitter? Or should you use a more niche focused network like bandcamp? Should you join all of these networks? How much time should be spent on each and what is the focus? The answers to these questions can quickly spiral out of control and in the end you will probably be left with more questions then you started with.
One solution is Audimated.com (which we endorse) which was built specifically to solve this problem. How does Audimated solve this? In its simplest form Audimated musicians only have to join one network (Audimated.com) and let their fans (who are on multiple networks) spread the message on their behalf. In this way, the artists can stay focused on their music (thats the goal right?) and let the fans be the sales force online.
Why is this approach unique?
Together Audimated and independent artists like you, can solve this problem by revolutionizing the independent music industry with a new model for compensating artists and distributing music. Both artists and fans are rewarded for creating and sharing the music respectively. Here is a little bit more on how it works.
This model should prove as an music overload “filter.” Music recommendations come from the fans, and not from the artists “blasting” would be fans asking for a listen. Good music will eventually “float to the top” of the Audimated charts and browse features and be passed along by interested fans (this is also how the ebay and amazon models roughly work) . Because fans on Audimated are actually there for the music (as opposed to the random old man or robot profile on myspace), you know that your music is being heard and spread by people who are actually interested in the music.
Check it out. As a musician and a fan, I think we need all the help we can get finding good music and getting the word out there.
Deborah@Audimated.com
Music + Business = The Musical Jingle
Sep 3rd
Jingles have been around for nearly a century and are still one of the most effective ways to communicate to consumers. What makes them advantageous is their use of music to grab people’s attention. It has been known for a long time that the language of music is much more effective than traditional spoken dialogue. Writing a jingle is simple. In fact, I even wrote the Jingle for Audimated.com (email support@audimated and ask for a sneak peek). It is very similar to writing a traditional pop song, but it is easier because you are already given a message around which to write your song. Whatever company, business, or client you work with will have a distinct message in mind, assuming they are a good company and that they want to reach their consumers. It is your job to put this into a song. The creative art of doing this is what jingle writing is all about.
First and foremost, the company’s message always comes first. It is the most important aspect of your jingle. Be sure that you and your client have a very clear communication and understanding of what exactly that message is, because if you give them a finished jingle that communicates the wrong message, they will certainly never hire you again.
Once that message is clear, you are ready to start writing. Write from the most important content to the least important. We already know that the message is the most important thing in the song, and what do we use to portray the message? Lyrics. These are of utter importance in jingle writing because they are the only things that truly communicate a message. To start your lyric writing, come up with a slogan. A slogan is a short, catchy phrase that you think best represents your client’s message in as few words as possible. Sometimes your client will give you a slogan, but if that is not the case you will have to come up with something you think your client will like. The more times you mention the name of the company the better because that’s what you want the consumer to hear.
Once you have your slogan, sing it. Don’t be afraid and don’t think about it. If you’re not a singer just sing it with whatever voice you have, or just hear the slogan as a random melody in your head. The first melody on which you sing the slogan should in most cases be the one you use for you jingle. This melody will most likely be the most simple and natural and that’s generally what appeals to the most people. If it doesn’t work out for you this way first try, repeat the process until your melody meets these criteria. Once you have your melodic slogan, it will function as a backbone throughout the rest of the writing process.
The next step is a little more complicated. You must be capable of playing chords on an instrument and be somewhat musically inclined. Develop a harmonic chord progression for your melody. Every melody has an implied chord progression that, if played beneath it, can make the melody sound really good. Pick up your instrument, and start playing chords under the melody that are in its same key. Eventually you will come up with something that fits your melody. It is usually helpful if the chord you are playing at a given time contains the note from the melody in it. This will guarantee that the chord your playing goes with your melody. Be experimental with the rhythms and articulations with which you play the chords because these will give spice to your chord progression. Once you finish this process, and you think you’ve developed something that sounds good, this will be the main section, or “chorus” of your jingle. There are usually a few other sections that jingles have, including a beginning and an ending, that make them complete.
You now have the majority of the work done, and the rest is just touching up to make it complete. There are a number of ways to open up your jingle that can be effective. You should make the decision of how to do this based upon the time constraints given to you by your client. Obviously, if your jingle has to be short you may want it to contain the chorus and nothing more. But if you have time to fill, you should be sure to include an introductory section and an ending section. The introduction should be short, sweet, and lead you into your chorus. A common technique is introducing the song with an instrumental version of the chorus with no lyrics. This prepares the listener for the chorus without actually giving them the lyrical part. That way when they hear the actual chorus they will be familiar with its sound, making your chorus more effective. The key point here is to make sure you introduce the song with something relevant. The same goes for the ending. But be sure to taper off the energy level to make it clear that the jingle is coming to a close. Often times it is best to simply end the jingle with the slogan, sometimes repeated, because this is what you want the listener to remember. Remember, the more frequently you say the name of the company, the better.
Now you are finished with your jingle. If you have followed these instructions thoroughly, your jingle should impress your client. But don’t stop there, keep writing jingles and building your skill set. The more jingles you’ve written the better each one will be. This is a skill that most people don’t have and that is why you are being hired, and it is also part of what makes jingle writing special. Good luck!
Quinn Carson
Quinn@audimated.com

