Posts tagged Independent Music
Audimated Exclusive Interview | SlimKid3 of Pharcyde: Lady Gaga, Will.I.Am, Quincy Jones & Independent Music
May 4th
Audimated Exclusive Interview | SlimKid3 of Pharcyde from Audimated on Vimeo.
Audimated interviews SlimKid3 of Pharcyde at Bardot in Miami, FL. We spoke with SlimKid3 about the current state of the music industry and he offers advice to independent artists on how to manage their careers more effectively. He speaks on a young, struggling Will.I.Am, conversations with Quincy Jones and his thoughts on Lady Gaga’s individuality. For the fans, he lets us know what’s next for himself and Pharcyde.
Look out for more Audimated exclusive interviews to help independent artists take their careers to the next level!
Video: Pharrell Speaks At The ASCAP Expo
May 3rd
An interesting look at Pharrell Williams’ outlook on the music industry, internet, independent music and up and coming artists.
Integrated Music Marketing Campaign
Sep 8th
Mike King speaks on the various ways marketing your music online.
Music + Business = The Musical Jingle
Sep 3rd
Jingles have been around for nearly a century and are still one of the most effective ways to communicate to consumers. What makes them advantageous is their use of music to grab people’s attention. It has been known for a long time that the language of music is much more effective than traditional spoken dialogue. Writing a jingle is simple. In fact, I even wrote the Jingle for Audimated.com (email support@audimated and ask for a sneak peek). It is very similar to writing a traditional pop song, but it is easier because you are already given a message around which to write your song. Whatever company, business, or client you work with will have a distinct message in mind, assuming they are a good company and that they want to reach their consumers. It is your job to put this into a song. The creative art of doing this is what jingle writing is all about.
First and foremost, the company’s message always comes first. It is the most important aspect of your jingle. Be sure that you and your client have a very clear communication and understanding of what exactly that message is, because if you give them a finished jingle that communicates the wrong message, they will certainly never hire you again.
Once that message is clear, you are ready to start writing. Write from the most important content to the least important. We already know that the message is the most important thing in the song, and what do we use to portray the message? Lyrics. These are of utter importance in jingle writing because they are the only things that truly communicate a message. To start your lyric writing, come up with a slogan. A slogan is a short, catchy phrase that you think best represents your client’s message in as few words as possible. Sometimes your client will give you a slogan, but if that is not the case you will have to come up with something you think your client will like. The more times you mention the name of the company the better because that’s what you want the consumer to hear.
Once you have your slogan, sing it. Don’t be afraid and don’t think about it. If you’re not a singer just sing it with whatever voice you have, or just hear the slogan as a random melody in your head. The first melody on which you sing the slogan should in most cases be the one you use for you jingle. This melody will most likely be the most simple and natural and that’s generally what appeals to the most people. If it doesn’t work out for you this way first try, repeat the process until your melody meets these criteria. Once you have your melodic slogan, it will function as a backbone throughout the rest of the writing process.
The next step is a little more complicated. You must be capable of playing chords on an instrument and be somewhat musically inclined. Develop a harmonic chord progression for your melody. Every melody has an implied chord progression that, if played beneath it, can make the melody sound really good. Pick up your instrument, and start playing chords under the melody that are in its same key. Eventually you will come up with something that fits your melody. It is usually helpful if the chord you are playing at a given time contains the note from the melody in it. This will guarantee that the chord your playing goes with your melody. Be experimental with the rhythms and articulations with which you play the chords because these will give spice to your chord progression. Once you finish this process, and you think you’ve developed something that sounds good, this will be the main section, or “chorus” of your jingle. There are usually a few other sections that jingles have, including a beginning and an ending, that make them complete.
You now have the majority of the work done, and the rest is just touching up to make it complete. There are a number of ways to open up your jingle that can be effective. You should make the decision of how to do this based upon the time constraints given to you by your client. Obviously, if your jingle has to be short you may want it to contain the chorus and nothing more. But if you have time to fill, you should be sure to include an introductory section and an ending section. The introduction should be short, sweet, and lead you into your chorus. A common technique is introducing the song with an instrumental version of the chorus with no lyrics. This prepares the listener for the chorus without actually giving them the lyrical part. That way when they hear the actual chorus they will be familiar with its sound, making your chorus more effective. The key point here is to make sure you introduce the song with something relevant. The same goes for the ending. But be sure to taper off the energy level to make it clear that the jingle is coming to a close. Often times it is best to simply end the jingle with the slogan, sometimes repeated, because this is what you want the listener to remember. Remember, the more frequently you say the name of the company, the better.
Now you are finished with your jingle. If you have followed these instructions thoroughly, your jingle should impress your client. But don’t stop there, keep writing jingles and building your skill set. The more jingles you’ve written the better each one will be. This is a skill that most people don’t have and that is why you are being hired, and it is also part of what makes jingle writing special. Good luck!
Quinn Carson
Quinn@audimated.com
How to Copyright Your Music
Jul 29th
Part 1 of a 3 part series on the legal side of the music industry.
It is imperative that any musician looking to be successful in the music industry have a basic understanding of the legal process. For every musician that sees their hit single break through to MTV there are five more who are in a lawsuit over their music and will never get the big break they desire. Read this article in order to make sure you won’t be getting a call from an artist you sampled looking to take all of your money and ruin your career.
Lesson 1: Copyrights
A copyright is one form of legal protection that can be given to any type of work that one creates, from movies to cassettes to even commercials. However, not just anything can be copyrighted. There are actually three basic criteria which must be adhered to for a copyright to be approved.
1: The content must be original. It has to be your content, which you thought of and did not copy.
2: It has to be “fixed in a tangible medium of expression”. In simpler words, this means that the content must exist in some sort of permanent format so that another individual is able to reproduce it and claim it came from them.
3: It must have some degree of creativity.
Musicians can either copyright a recording, or simply the song’s melody, lyrics, etc. There is a “fixed” requirement that means that the song can not be copyrighted if it is simply in your head. A copyrighted song must be recorded, even if it is simply on your old tape deck. A live song does not count, although it does count if you decide to record the live track. Once the work is “fixed” it is automatically copyrighted, even if you do not go through a copyright office to make it official.
As the owner of a copyright you have a number of rights to do the following:
Need More Gigs?
Jul 29th

One of the most effective ways to amplify your band’s following and fan base is to increase the number and frequency of your live performances. In order to do so, there are various approaches your band can take which will allow you to obtain more bookings to boost your exposure.
The first approach is to form an alliance, if you will, of bands in your town or city. Befriending other band members that you find interesting, entertaining and who can put on a good live show can perhaps lead to a merger with this band or several bands in order to increase your booking options. This also increases your opportunity to book a show because you are able to offer a venue an entire night of music performed by several groups by just talking to one representative. This makes it easier for them, and so they are more willing to book your band and your cartel.
Now, your band will most likely not want to only perform within your city. Instead, you want the opportunity to expand to other areas. A great way to do this is to exchange your performance with another band in another city. Not only will this allow you to perform in a new, different venue, but it will also increase your band’s exposure to a new and different audience. If you don’t know any other bands in other cities or don’t know the best way to contact them, try using musician forums and classifieds. In addition to this, your band can participate in message boards that allow you to connect with other band members from different places. Networking in this way will help you boost your connections within the music industry and increase your bookings.
Another approach to increase your bookings is to sign up your band on websites such as Eventful and Gigmaster. Eventful is a site that provides a free service that allows fans to search bands scheduled to perform in their area. Gigmaster is a website that allows bookers to search for bands to schedule performances based on their date availability as well as the distance the band is willing to travel.
An additional means of increasing your band’s live gigs and furthering your following is to create a festival with other bands. Finding a venue, bands and even other talent to host a music festival in your area is a great way to do this. If you know of a festival that does not have a musical performance lined up, you can also contact a member of the sponsoring organization for a chance to be booked for the festival. Contacting local Chamber of Commerces is a great way to make these connections and to find out about music festivals and booking opportunities in different locales.
Looking for performance opportunities to boost your band’s exposure and following doesn’t end here. You can also book gigs with non-traditional events such as conferences, charity events and even theatre or art shows, just to name a few!
This article was written by Nicolette for Audimated.com. If you have any further information or recommendations for a future article, please contact Nicolette@audimated.com.
Worried About Unauthorized Copying and Piracy?
Jul 29th
July 29, 2010: Many artists and music fans alike mistakenly consider piracy and unauthorized copying of music to be the same thing; however, there are major differences. Unauthorized copying is making duplicates of music, most of the time for personal convenience. Some examples include burning CDs, importing music from a friend’s Itunes onto your iPod, or sharing music through Limewire. Artists must be aware that copying is prevalent and that it can be performed both legally and illegally. From the artist’s perspective, preventing, controlling or stopping unauthorized copying of your music is next to impossible. It might be a better strategy to plan on your music being copied and try to maximize the positive effects that copying can have on your success. More copies of your music (even if you are not being paid for them) can mean more fans, more plays and more buzz for your band.
Piracy, on the other hand, is participating in mass replications of music and selling those copies for personal income, which is always illegal (unlike some forms of legal copying). Pirates generally replicate the most popular songs and big hits because that is how they can make the most money. Pirating is stealing because it is taking away income from the artist and producer. Some forms of pirating are burning other artists’ CDs or recording live performances to sell to make your own money. Piracy will only be a problem if your music becomes very successful, but it is important to have a strategy in place in case it does.
There are many ways to protect against piracy. You could use Digital Rights Management (DRM), which can provide restrictions that will not allow people to burn your CDs. Many companies, such as Blockbuster, for instance, use DRMs for their DVDs to prevent people from copying their movies. Without DRMs people could be tempted to burn rented/borrowed DVDs or music and distribute it to their friends for free.
On the bright side, pirating and unauthorized copying can enhance an artist’s success because when people share your music, they are, in a way, recommending your music to other people. A recent study also shows that the people that do the most unauthorized copying also spend the most money on music, merchandise and products. Getting your music into the hands of these interested fans, even if they don’t pay for it, can lead to other income in the future. Previously, many musicians were faced with the problem of getting their music out there, but with copying, their music can be effectively distributed. Imagine a tradeoff between distribution and the amount of money you make from each piece of music. Controlling this tradeoff can be difficult in the beginning, so spend your time making quality music because quality content will earn you fans, exposure and opportunities. One way or another, your expanding fan base (maybe even through unauthorized copying) will find a way to support you and your music.
Greg Gerla
greg@audimated.com
Audimated.com
Growing Your Live Audience
Jul 28th
How do you expect people to know about your next performance if you don’t tell them when and where to go? Too many bands rely on “word of mouth” marketing for their live performances without taking advantage of the cheap and effective forms of advertising available. Advertising should play a key role in getting a bigger audience at your shows. This could include putting up eye-catching posters around your town in high traffic areas where people are more likely to stop and look at them, like at crosswalks at stoplights, for example. Make sure to put the location and time of your show, as well as any other information that you believe is necessary. If your event is big enough, send out press releases so local media can publish stories about your band and its upcoming events.
In addition to posters, advertising through social media such as Facebook and Twitter is highly effective. Posting blogs, statuses, and sending messages regularly is a good way to remind fans and friends of upcoming events. Make sure that you have your tickets available for sale on your profile. It is a long shot to expect a new fan to reach your page for the first time and decide to attend a future event if they cannot reserve their ticket right then and there. Also, make sure to send information to your fans on your mailing list (if you don’t have a mailing list you should create one before your show). If you plan on sending information via mail, such as postcards, make sure they have value or people will probably throw them away (mail with no value is basically trash). For example, give your mailing list fans (email or physical) a discount, such as a drink or food special during your show, as an extra incentive for fans to show up to your gig.
Getting your friends and family involved can really affect a showing at a performance. Have your peers stand outside the venue handing out posters or fliers with value since people, especially in big cities, enjoy listening to live music. It is important to keep active with your potential audience and politely recruit people, even off the streets, to get them to come to your shows. A tourist or passerby is a great performance attendee. If they are walking by your venue they are likely looking for entertainment. Why not come check out your show?
Distributing free merchandise such as a demo CD to different venues is also a good way to market your band. Ask the venue to play your music during business hours to get people excited and to motivate them to come to your show. Also, leave some demo CDs in the venue and around your local area for customers to take. This will give them an opportunity to hear your music and want to see you play live again next time. Aside from demo CDs, ask the venue to set aside tickets for a local radio station. Maybe they can then introduce your music to their existing listeners and announce contests to win tickets to one of your gigs.
Interacting with other companies is important because the more people and businesses that know about you, the easier it will be to get your name out there. Interact with other blogs and podcasts in your area that are open to new artists. Then, if people like what they hear on these podcasts, they will be more likely to make an appearance at your shows. The important thing to realize is that every person counts and every person is counting. The venue is interested, the record companies are interested and even the other fans are interested in having a packed house each and every time you play live.
Greg Gerla
greg@audimated.com
audimated.com



